影片名称：痴心女子负心郎

影片别名：

上映时间：1948年

国家/地区：美国

影片类型：剧情片

影片导演：刘易斯·艾伦

资源类别：正片全集未删减

入库时间：2024-04-16 06:58:01

资源更新：HD中字

总播放次数：544

本站观点： 白嫖者联盟影视于2024-04-09 04:04:18添加的该影片;因为雷·米兰德,安·等演员们给力，再加上剧情紧凑而有逻辑，剧情扣人心弦，令人难以抗拒，是一部不错的剧情片。故事情节富有想象力，跨度广泛，展现了人物的成长和转变，让人深入思考生命的意义和价值。 豆瓣对这个影片的评分约9.0分;大家对影片的评价是： 这部剧情片真的很出色，它的情节和表现都非常棒，绝对是我最近看过的最棒的电影，强烈推荐给每一个人！ 到目前为止已有547人观看，其中544人已点赞， 3人已收藏，希望大家喜欢。如果您被《痴心女子负心郎》情绪感染或者有自己的观影评价，可以留言或评论哦。

剧情介绍：Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police.　　This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.